053.txt
"Noise" Patch Programming

You can achieve a lot with noises: thunderstorms, rain, wind and
other strange noises. When working with noise however it is 
extremely important to make use of the instrument's filters.
Remember that noise contains every frequency in your sonic
spectrum (white noise contains more overtones and works good
with rain), so use a peaking filter to emphasize certain frequencies
which are characteristical for your sound.

A bandpass filter can be of great help, too. I once tried to use
a 24db BPF filter with a bit of resonance and modulated the
cutoff-frequency with an LFO. Very nice for sound FX and techno
sort of stuff, especially if you sync your LFO's to MIDI clock.

If you want to make your sounds noisy, you can use ring
modulation with certain samples to achieve this end or make
use of the FXM parameter. Sounds quite nice if judiciously used.
The FXM part of a sound can be routed differently than the rest
through the internal FX (for example only through the reverb).

If you want to program this "60's Vinyl" sound, use a four-tone
patch with noise on each tone. Try to filter these sounds differently
and to your likening. Turn down the TVA Levels of the sounds
and make them come up periodically by the LFO's (different LFO
speeds are a must). Second LFO can modulate pitch or filter
for example. Add some FX (EQ for example to get the frequencies
you wanted right) and this will sound as close as you can get
with a not-that-expanded JV-2080.

Christian J. Krause
hagenk@metronet.de